Stereo and stem mastering. Analog-first chain. Personal approach to each record.
Seventeen years mastering, thirty years producing. Mastering work for Metalheadz, Over/Shadow, Dispatch, Straight Up Breakbeat, Repertoire, Beta Recordings, and more.
A platform to focus and clarify my art.
For me, making music is closer to a spiritual practice than a craft. Connecting with something sacred. Rhytual is the part of that practice you can hear.
Writing about creative practice, music-making, and the parts of the craft that don’t get talked about much.
What sample rate and bit depth actually do, what the standards are and why, the cost of going higher, where higher rates earn their keep, and what I run for my own music and for mastering.
The studio is the perfect place for theft. But the release is the place for what you actually have to say.
Marketing has never been my strong point. In fact I always hated it.